orchestra

Metall for orchestra and live-electronics (in progress)
Commissioned by SWR / RSO Stuttgart
First performance: April 25, 2008, attacca Festival - Stuttgart
RSO Stuttgart

Tightrope Dancer (1996) for orchestra
(2.2.2.B-cl.2-4.2.4.1-3Perc.-8.8.6.6.4)
Duration: 9 minutes
First performance: August 18, 1999, Seiji Ozawa Hall - Tanglewood
TMC Orchestra, cond. by Stefan Asbury

Gammes (1995) for orchestra
(3.2.2.B-cl.2-4.2.3.1-2Perc.-10.8.6.6.4)
Duration: 8 minutes
First performance: December 5, 1995, Jordan Hall - Boston
New England Conservatory Orchestra, cond. by Tamara Brooks

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ensemble (8-16 instruments)

Clair-Obscur (2005-06) for 7 instruments, six loudspeakers and live-electronics
(Fl,Cl,Bsn,Tbn,Vn,Vc,Db,Perc)
Duration: 16 minutes
Commissioned by Maerzmusik/Berliner Festspiele
First performance: - March 22, 2006, Berliner Philharmonie, Kammermusiksaal
Maerzmusik Festival
ICTUS, cond. Georges-Elie Octor

Jardin des fleuves (2003-04) for 16 instruments, live-electronics and spatial diffusion
(2 Fl(Picc),Ob,Cl(B-Cl),Bsn,Hrn,Tpt,Tbn,Tba,2 Perc,Hrp,Vln,Vla,Vc,Db)
Duration: 18 minutes
Commissioned by IRCAM/Centre Pompidou
First performance: - December 11, 2004, Espace de Projection, IRCAM - Paris
Tremplins Festival
Ensemble Intercontemporain, cond. Pierre-Andre Valade

Diastema (2001/02) for 14 instruments
(Fl(Picc),Ob,Cl(B-Cl),Bsn,Hrn,Tpt,Tbn,Perc,Pf,2Vln,Vla,Vc,Db)
Duration: 12 minutes
Commissioned by MATA (New York) and Nouvel Ensemble Modern (Montréal)
First performance: - April 12, 2002, Orensanz Foundation - NYC
MATA Festival of Contemporary Music,
Nouvel Ensemble Modern, cond. by Lorraine Vaillancourt

Phantom Islands (2000) for 14 instruments and electronics
Duration: 11 minutes
Commissioned by the Tanglewood Music Center (Paul Fromm Award) for the Tanglewood Festival of Contemporary Music 2000
Performances: - August 13, 2000, Seiji Ozawa Hall - Tanglewood
TMC Fellows
- May 19, 2001, Alte Oper - Frankfurt
Ensemble Modern
- December 9, 2002, Centre Pompidou - Paris
Ensemble Intercontemporain
- April 3, 2004, New Wave Festival - Toronto
Esprit Orchestra

Aqua Vit (1999) for 8 instruments
(Fl (Picc), Ob, Cl(B-Cl),Perc,Pf,Vln,Vc,Db)
Duration: 8 minutes
Performances: - April 11, 1999 - New York City
Speculum musicae
- August 21, 2000, Seiji Ozawa Hall- Tanglewood
TMC Fellows
- May 31, 2002, Festival Les Musiques - Marseille
Ensemble Court-Circuit
- September 21, 2002, International Computer Music
Conference 2002 - Göteborg
Ensemble Gageego!
- October 4, 2002, Festival Musica 2002 - Strasbourg
Ensemble Linéa
- October 19, 2002, Festival Résonances, IRCAM - Paris
Ensemble Court-Circuit
- September 25, 2002, Akademie der Künste - Dresden
Ensemble Courage
- May 3, 2005, Cité de la musique - Paris
Ensemble Court-Circuit

Finnagain Speaking (1997) for 9 instruments
(Fl(A-fl&Picc),Cl(B-Cl),Hn,Perc,Pf,2Vln,Vc,Db)
Duration:10 minutes
First peformance: August 14, 1997, Harris Hall - Aspen, CO
Aspen Contemporary Ensemble, cond. by Wolfram Neubert

Quaestio (1994) for chamber orchestra
(Fl,Ob,Cl,Bsn,Hrn,Tpt,Tbn,4Vln,3Vla,2Vc,Db)
Duration: 4 minutes
First performance: April 29, 1994, New England Conservatory - Boston
Conservatory students, cond. by Oliver Schneller

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chamber (1-4 instruments)

Resonant Space (2006-07) for 2 percussions and 2 pianos
Duration: 10,5 minutes
Commissioned by WDR
First performance: - April 20, 2007, Witten Tage für Neue Kammermusik 2007 - Witten
Ensemble 2 x 2

This is what I am seeing here (2005) for clarinet, violin, cello and piano
Duration: 7 minutes
Commissioned by RADIO FRANCE
First performance: - May 27, 2005, Radio France - Paris
Solistes de l'Ensemble Intercontemporain

String Space (2004-05) for string trio and live-electronics
Duration: 8 minutes
Commissioned by KNM / Ars Nova Festival (SWR)
First performance: - April 16, 2005, Ars Nova Festival - Rottenburg

Turbulent Space (2004-05) for recorder and live-electronics
Duration: 8 minutes
Commissioned by Lucia Mense
First performance: - January 20, 2005, ELECTRONIC COUNTERPOINT, Alte Feuerwache - Cologne

Eclipse (2004) for alto saxophone and live-electronics
Duration: 8 minutes
Commissioned by Brian Sacawa
First performance: - October 20, 2004, Duderstadt Multimedia Center - Michigan

And Tomorrow... (2003) for piano and live-electronics
Duration: 8 minutes
Commissioned by Heather O'Donnell/Puffin Foundation, New York
First performance: - March 21, 2004, Maerzmusik Festival - Berlin

Twilight Dialogues... (2003) for flute, clarinet, viola and percussion
Duration: 9 minutes
Commissioned by musikFabrik/Karnatic Lab Festival, Amsterdam
Performances: - May 17, 2003, Karnatic Lab Festival - Amsterdam
- May 15, 2003, International Review of Composers - Belgrade
musikFabrik

Five Imaginary Spaces (2001) for piano and live-electronics
Duration: 12 minutes
Performances: - October 26, 2001, Espace de projection, IRCAM - Paris
Heather O'Donnell
- June 15, 2002, Festival Agora IRCAM
Heather O'Donnell
- October 15, 2002, Washington Square CMS, New York
Heather O'Donnell
- October 19, 2002 Festival Résonances, IRCAM- Paris
Jean-Marie Cottet
- October 24, 2002, Alternativa Festival - Moscow
Heather O'Donnell

Soleil (2000) for flute and piano
Duration: 8 minutes
Commissioned by National Flute Association, USA
Performances: - October, 2000 NFAC - Denver, Texas
Various performers
- February 7, 2003, New York University - NY
J. Rosenfeld / B. Rose
- November 26, 2004, Goethe Institute - Paris
B.Hiller / A. Fujita Topoi(2000) for clarinet, violin, cello and piano
Duration: 9 minutes
Commissioned by Meet the Composer/Arts Endowment Commissioning Music/USA
Performances: - October 4, 2000, Kennedy Center - Washington, DC
Elm City Ensemble
- February 7, 2001, Cincinnati College Conservatory - Cincinnati,
Acme Ensemble
- October 22, 2002, Italian Cultural Institute - Cologne
Ensemble E-mex
- November 7, 2002, Wesleyan University- Middletown, CT
Antares Ensemble
- November 22, 2002, St. Paul's Chapel- New York City
Antares Ensemble

Trio (1999) for accordion, cello and piano
Duration: 9 minutes
Commissioned by Composers Concordance, Inc. New York
Performances: - February 25, 1999, Kosciuszko Foundation - New York City
Mikko Luoma; John Whitfield; Heather O'Donnell
- February 20, 2000, Miller Theatre - New York City
Mikko Luoma; Alexis Gerlach; Heather O'Donnell
- February 3, 2001, DIA Center for the Arts- New York City
Joseph Petric; Myron Lutzke; Nelson Padgett (St. Luke's Chamber Ensemble) - November 11, 2003, Klangwerkstatt Festival - Berlin
Ensemble Mosaik

Suite for Four (1999) for Baroque cello, flute, oboe and trumpet
Duration: 15 minutes
Commissioned by CrossSound Festival
Performances: - July 10, 1999, Northern Lights Church - Juneau, Alaska
- July 11. 1999, Chapel by the Lake- Juneau
Phoebe Carrai; Sally Schlichting; Jan Coldwell; Rick Trostel
cond. by Oliver Schneller

Joyce Paraphrases (1998) for amplified string quartet and computer- generated tape
Duration: 25 minutes
Commissioned by ARTS&SOCIETY, Inc. with funds provided by Meet the Composer/New England Foundation for the Arts
Performances: -June 14, 1998, Katherine Cornell Theatre-Martha's Vineyard, MA
Whitman String Quartet
- June 16, 19998, Boston University- Boston
Whitman String Quartet

Five Miniatures After Maurice Sendak (1998) for brass trio
Duration: 6 minutes
First performance: February 7, 2001, Watson Hall, Cincinnati College-Conservatory - Cincinnati, OH
Conservatory students

Clouds (1998) for piano
Duration: 8 minutes
Performances: - June 6, 1998, Slee Hall Buffalo State University - Buffalo, NY
Stephen Manes
- February 8, 2001, Watson Hall Cincinnati College-Conservatory,
Moritz Eggert

Aurora (1997) for piano
Duration: 11 minutes
First performance: - May 24, 1998, Graduate Center CUNY - New York City
Heather O'Donnell

Processional Suite (1996) for two guitars
Duration: 12 minutes
Commissioned by Duo Sonare
Performances: - Feb 28, 1999, Foreningen Lyt Aktivt, Esbjerg (Esbjerg music society), Denmark
- March 3, Skive Teater, (the Theatre in Skive), Denmark
- March 4, Gr?g Kirke, Denmark
- March 10 1999, Vejen Kunstmuseeum, Denmark
- May 12, 1999, Musikhuset Aarhus, Denmark
All performances by the Hersing Guitar Duo, Copenhagen

Marsyas (1996) for amplified flute and cello
Duration: 10 minutes
Performances: - May 12, 1996, New England Conservatory - Boston
Gaspar Hoyos, Katinka Kleijn
- March 20, 1997, Synagogue Space - New York
Patti Monson, Jennifer DeVore

Labyrinth (1996) for piano
Duration: 6 minutes
Commissioned by Javier Ruiz
Performances: - May 7, 1996, New England Conservatory - Boston
Javier Ruiz
- July 20, 1996, Centre Acanthes - Avignon
Sylvia Schmied

Reed-Weed (1996) for saxophone
Duration: 10 minutes
Performances: - February 7, 1996, Toru Takemitsu Memorial Concert, NEC- Boston
Oliver Schneller
- November 18, 1997, Graduate Center CUNY- New York City
Oliver Schneller

Hoqueterie (1996) for 2 saxophones, guitar and percussion
Duration: 9 minutes
First performance: - March 24, 1996, Jordan Hall - Boston
NEC Honors Jazz Quartet

Kumoijoshi (1995) for koto and soprano saxophone
Duration: 6 minutes
Commissioned by Mizuyo Komiya
First performance: - March 30, 1996, New England Conservatory - Boston
Jeff Hudgins; Mizuyo Komiya

Big City Divertimento (1995) for saxophone quartet (S-sax, A-sax-, T-sax, Bar-sax)
Duration: 9 minutes
First performance: - April 4, 1995, New England Conservatory - Boston
Lenie Saxophone Quartet

Sieben Bilder (1995) for piano
Duration: 13 minutes
Performances: - November 20, 1995, Jordan Hall- Boston
Sharon Quo
- July 12, Harris Hall- Aspen
Cristina Valdez
- June 7, 1999, Merkin Hall, New York City
Cristina Valdez

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electronic music

Proteus (1999) DAT
Duration: 11 minutes
Commissioned by Janet McShain
First performance: « EARTHDAY '99 » Philadelphia Academy of the Arts - Philadelphia

Bell/Man (1998) DAT
Duration: 7 minutes
First performance: May 2, CMC Concert Miller Theatre- New York City

Variations on a Word (1997) DAT
Duration: 14 minutes

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vocal music

Pour Schnabelmax. Homage à Max Ernst (1999) for counter tenor, tenor and bass
Duration: 5 minutes
First performance: - July 1999, Dawn Upshaw Masterclass - Tanglewood
Tamara Hummel; Robert Gildon; Patrick Evans

Alice Setting (1997) for soprano, choir, percussion, strings and piano
Duration: 6 minutes
First performance: - May 1997, Graduate Center CUNY - New York City
CUNY Music Students, cond. by Gil Peres

Three Songs after Hopkins, Shelley and Meredith (1994) for soprano and piano
Duration: 8 minutes
First performance: - April 30, 1995, Jordan Hall - Boston
Monika Yunus; Kate Bowan

Rice Pudding (after A.A.Milne) (1993) for speaker and piano
Duration: 3 minutes
First performance: - February 14, 1995, New England Conservatory - Boston
Dan Felsenfeld; Rachel Jimenez

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early works

Ma io...(1993) for clarinet
Duration: 5 minutes
First performance: - March 1993, Aufenanger-Schülerkonzert - Bonn
Konrad Gerstel

Duo (1993) for French horn and double bass
Duration: 7 minutes

Drei Satze für Streichtrio (1992) for violin, viola and cello
Duration: 7 minutes
First performance: - March 1993, Aufenanger-Schülerkonzert - Bonn
Conservatory students

Chip Maze I/II (1991) for computer-generated tape
Duration: 4 minutes
First presented April 1991 at the Institut für Neue Musik und Musikerziehung - Darmstadt

Vier Capriccen (1990) for piano
Duration:7 minutes

Seelenwanderung (1989) for two flutes, two clarinets and two French horns
Duration: 6 minutes
Commissioned by Markus Parusel
First performance: - January 1988, Gallerie Parusel - Bonn
Conservatory students

Incidental music to Berthold Brecht's The Caucasian Chalk Circle (1984) for voice and piano
Duration: 8 minutes
First performance: - April 1984, International School Manila, Philippines

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orchestrations

Maurizio Kagel: Zehn Märsche um den Sieg zu verfehlen - Mvmts. V, IX
First performance: - March 25, 1995, Festival of Jewish Music, New England Conservatory - Boston

Arnold Schönberg: op.19, Mvmts. I/II/VI

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